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Antônio Henrique Amaral : ウィキペディア英語版 | Antônio Henrique Amaral
Antonio Henrique Amaral is a present-day Brazilian painter and printmaker. He is most well known for his images artistic political critiques in the form of a series of paintings of bananas that have been mutilated by forks and ropes.〔Lucie-Smith, Edward.''Latin American Art of the 20th Century''. London: Thames and Hudson, 1993.〕 ==Background== Amaral was born in 1935 in São Paulo, Brazil, where he now lives and works. He received his Bachelor of Arts degree in Law from the Universidade de São Paulo in São Paulo, Brazil. His interest in art stems from a visit to the 1st Biennial in São Paulo in 1951, where he was intrigued by the modern art he saw. In 1952, he took drawing classes from Roberto Sambonet through the São Paulo Museum of Modern Art. Later, in 1957, he entered the School of Engraving and was trained to do woodcuts and linocuts by Lívio Abramo. Amaral's first solo exhibition came in 1958 when he showed a group of engravings at the São Paulo Museum of Modern Art.〔Antonio Henrique Amaral, Edward J Sullivan, Frederico Morais, Maria Alice Milliet. ''Antonio Henrique Amaral: obra em processo''. São Paulo, Brasil: DBA, 1997.〕 In 1959 Amaral enrolled in the Pratt Graphic Institute in New York City where he learned wood engraving from Shiko Munakata and W. Rogalsky. In 1964, there was a coup d’état in Amaral’s native Brazil that replaced the democratic government with a military dictatorship. This new government under the military juntas and the sociopolitical and economic effects it had would become the focus of many of his later paintings. In 1967, Amaral opened an exhibition of woodcuts entitled “O meu e o seu” (“Mine and Yours”), after which he switched to painting as his primary medium.〔 From 1968 to 1975, he painted a series of banana paintings, which he is most famous for. He has traveled between Brazil and New York since the early 1970s, continuing to paint.
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